Writing Tips for a Story
Friday, September 22nd, 2006QUESTION:
Need title ideas for a story I’m in the middle of writing.?
I’m pretty low on ideas, and getting fairly desperate.
So any ideas or help would be awesome….
I don’t want to say too much about the story but the whole plot is basically a sixteen year old boy and his ‘friend’ that get themselves into a fix, are being tracked down by the government, and have to go in to basically…hiding. The story has a ton of rough points in the plot to work out so if that doesn’t make sense, then that would be why. Like I said I am VERY low on ideas, and any help at all would be totally awesome. You guys are great.
PS. I kind of couldn’t find a ‘writing’ catogory, so here I am. =)
Additional Details
45 minutes ago
Heres a few more details (the ones Im sure about)
The kids end up overhearing two people from the GOV talking about something (which I have decided on) secret about the GOV but they dont realise that what they hear is very important, but the GOV people find out they hear. They (the GOV) starts to try to get them (the kids) and the kids still have no idea about whats going on. Then sooner or later, the kids (Laken and Melody) Do find out, and they basically run away. They have to get away from them and do so by fake identities and such.
Sorry if it is really all over the place.
44 minutes ago
I like all of the suggestions so far… I’d like to stick with something suspensful.
20 minutes ago
thanks everyone… Im still open to suggestions +)
57 minutes ago - 3 day(s) left to answer - 10 answers
REPLY:
Have already written an ending? If you haven’t you may want to consider doing that.
When you know how the story ends it gives you Point A and Point B.
By writing out a detailed ending, you create a list of checkpoints or goals for your main characters when it comes to resolution.
When you know how you want the story to end, you can keep cross-referencing with the ending to help triangulate your position in the story.
One of the pitfalls of just writing a story that takes on a life of its own is that when you try to write an ending, readers may find that you didn’t resolve certain elements of your story.
If you resolve certain things in the story, you can indicate what chapter you resolved a particular matter.
Although “Lord of the Rings” is a really great story, critics have mentioned that there were a lot of characters that would get introduced into the story but they never went anywhere.
You can fall into the same rut where you’ll introduce characters into your story, but if you’re meandering around, those characters could have weak development or make the reader question why you inserted them in.
Interestingly enough, a good way to tighten up a story is treating it just like an Essay. The basic components of an essay are to state your Theories, have the main body, and then draw a conclusion that recaps all the points in the main body that reinforce your theory.
With a story, you should be able to write out in the beginning where the character or characters are. What is their current status so that by the time you get to the end of the story, the reader can see the evolution of your character where it’s learned something or changed for the better (or worse).
If they’re being chased by the government:
- Who is chasing them?
- Why are they chasing them?
- Do the main characters figure out inthe story how to get cleared of any charges?
- Did they get framed and are trying to pursue the real culprits?
Another direction you can go into is:
- What are the skills of your main characters?
- How do they use these special talents to get them out of trouble?
- Did those special skills get them into trouble?
- What new skills do they acquire in order to survive?
You can also do some focus on the items they have:
- What items do they have or acquire that are special?
- Is it a sort of quest?
- Is there a mystery tied into one of the items the have?
- Are they even aware they have one of those items?
- What makes the item valuable?
- Are people who want those items willing to kill the protagonist for it?
I was on YouTube.com the other day and watching some nostalgic Clips of “He-Man” and “She-Ra” where it was talking about the “Secret of the Sword.” It was talking about the back story on how the swords that He-Man and She-Ra gained their magical properties.
That was fascinating to me because I used to wonder as a child where they got the Swords, why Castle Greyskull endowed those swords with power, and how Prince Adam and Princess Adora were bequeathed those swords.
Think about your audience:
- What would your readership like to see?
- There’s a lot of interest revolving around “Da Vinci Code”
- People are fascinated with mysteries or secrets
Set a number of Geographical Locations. Think about if this was a movie and where you were doing Scene Shots. I work in the Film & Entertainment Industry and the scripts are written where they list out the Dailies of where scenes are going to be filmed.
When it comes to budgets, we need to know what locations have to be secured for a 28-day shoot. Actors have to know the shooting schedules and where they need to be.
- How many locations are in your story?
- Is it centralized in one city?
- Are they chasing after a killer and traveling to multiple cities?
- How do they get out of the city?
- What mode of transportation do they use?
- How do they avoid getting caught by the government when the highway state patrol is looking for their vehicle and license plate?
- Did they have to steal someone else’s car?
- Did they get help along the way where someone loaned them a car?
- Did they hitch a ride on a train or with a truck driver?
Writing that has structure tightens up the story line. Even if your story starts off small with a solid beginning and end, it’s easier to fill the body or flesh it out with more plot twists.
If you only have a beginning and no end, you could find yourself writing in circles because you’re trying to figure out how to resolve certain problems and you could get lost. By knowing how it ends, you know there’s finality.
You should watch the movie “Wonder Boys” because it talks about that. The main character is this author who has been just continuously writing and hasn’t resolved his story yet. One of the people who reads his work and critiques it mentions that some of the problems.
Maybe if you watch that movie, it will help you be able to run a literary Diagnostic on your story and allow you to patch up some of the loose ends and any other problems you’re currently having with the plot development and eventual resolution.
Some publishers will read your ending to see if it’s something they worth reading. If it’s got a bad ending or doesn’t seem to inspire you, you don’t really want to read it.
In Business, you have to have a strong proposal that gives a clear vision of what will happen when investors put money into a project. You never hear a sales exec pitching it to investors say:
- “Well… It will sort of be like this.
- “This could possibly happen.”
- “I haven’t really finished fleshing out the details on what the final outcome of this project will be”
- “It will turn out pretty good, I think…”
If you were an investor, would you put money into a project like that?
The same thing goes for readers when they invest their time in reading your story. Time is money.
No one wants to spend all those hours reading a story only to find that it has a crappy ending that leaves them dissatisfied or with a bad taste in their mouth afterward. When they finish reading your story, you want them to say, “Whoa, that was fulfiling and good ending.”
It’s just like Food Preparation:
- Good Beginning: Obtaining all the Ingredients (i.e. characters, setting up the plot, introducing the problems)
- Good Middle: Preparing all the Food and mixing the ingredients
- Good End: Serving the finished product, which is the meal once you’ve prepared the food.
It sounds like you got the Ingredients. Right now, you’re working on the Food Prepartion Part, which is the middle.
However, my concern is what are you making? (The End)
Ideas are like Food for Thought. If I’m going to be your reader, that’s like me being the one to eat your food once you’ve finished preparing it.
If I’m going to sit down at the table, I’m going to ask what you’re going to prepare for me and what you’re making in the kitchen.
I don’t want to hear:
- “Well, I’m kind of throwing some things together”
- “It’s got a little pork. It’s got a little beef. It’s got some Green Peppers”
- “I really don’t know what I’m making or how it’s going to taste, but we’ll find out as soon as I’m done and serve it to you”
I don’t know about you, but that’s not what I want to hear if you’re going to be my Literary Chef.
Your ending should be saying:
- “I’m serving you a Rice Pilaf”
- “I’m serving you Babyback Ribs with a side order of mashed potatoes”
- “I’m serving you a Stir Fry”
What’s bad is when someone says they’re making you Spaghetti getting you prepped and ready for Spaghetti, but then they come out and lay down a plate of Rotisserie Chicken. Some people don’t like that. If you tell someone you’re going to make that dish, you better make it. Some people conceptually change things on others without realizing it. It’s funny.
Make sure that if you tell your readership what you’re going to be serving that you actually do make it and don’t end up creating a totally different food dish instead. That’s not to say they won’t eat it, but they were expecting something else based off of what you wrote or implied in your story.
When you say you’re getting desperate and running out of ideas, that’s like being in the kitchen trying to prepare a food dish and you’re just throwing in everything and, most likely, not paying attention to how the ingredients will interact with each other and what seasoning.
- “I guess I’ll throw in some paprika”
- “Well, I’m getting desperate. I’ll add some chili peppers to spice it up”
- “Maybe I’ll throw in chicken breasts”
- “I think I’ll add some squid”
The only time you can get away with that is if you’re making a Stew where you add lots of Water (Knowledge) because anything else just thrown together with piles of seasoning just thrown in won’t usually react well.
The Culinary Arts run parallel to Writing. The reason why Professional Chefs are renowned for their cooking is because they understand all the ingredients and know exactly what kind of effect they want to attain when they add a certain amount of seasoning.
Think of your story as food. You don’t want to give your readers Intellectual Indigestion. it should hit the spot. If it’s really good, they’ll come back for seconds by re-reading your story because they just get enough or will ask you to prepare another meal for them (write another book).